ZOU: Review: “You Need To Calm Down”
“Swift’s new politicization retains, at its center, a fixation with her own celebrity.”
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Review: Always Be My Maybe: Asian American Romantic Comedy in the Post-Crazy Rich Asians Era
2019 feels worlds away from 2013, and the more recent explosion of Asian American representation in popular culture seems to signal a hopeful shift.
Seatbelts, Everyone! A Review: The Magic School Bus Rides Again
The new show is especially apt in remaining grounded in its original content and style, while also making a positive strides to inspire and motivate a broader audience of children to take an interest in S.T.E.M. fields.
Review: IGOR by Tyler, The Creator
The core of IGOR is Tyler wrestling with the complex emotions he has formed for his past partner, and how he wants to embrace love while knowing the pain it causes for him.
Trigger-Happy Hollywood: Dirty Harry, Fascism, and the Liberal Backlash of the 1970s
Despite the venomous charges of its critics, Dirty Harry is not and never was a fascist film. However, the sequel, in its conscious attempts to make that same argument, inadvertently embraces a fascistic outlook.
Kalikman: “Coisa Mais Linda” Really is the Most Beautiful New Show
The whole show feels like a spring break getaway.
Review: Dumplin’
“While Willowdean’s decision to enter the beauty pageant is dramatic, most of the movie is about the drama of the everyday.”
Harvard Dropouts: Lil Pump, Bill Gates, and the Life Worth Living
While the popular vision of a life worth living may be highly circumstantial—the real life worth living is not one in which the goals are only material and social wealth.