Throughout “The Favourite” we see an opulent past paired with a distinctly modern aesthetic.
If the partisan nature of politics has evolved to such a degree that basic discussion with one’s political opponent is considered unnecessary, what is the point of it all? Should voters not hear different opinions? ...
Khan’s calls for the UN to recognize blasphemy as a crime against humanity are misplaced for a multiplicity of reasons.
Characters and storylines in movies are beginning to reflect the realities of underrepresented communities because audiences are demanding a higher standard of the entertainment industry.
Weaponizing white femininity—as Trump conservatives have in the Tibbetts case—is not a novel concept.
New York’s statewide mandate was a long time in the making, not a quick reaction to the shooting in Parkland.
Canberra diverts resettlement responsibility to Manus and Nauru—making Australia the only country in the world that has other nations process its asylum seekers.
One could argue that Crazy Rich Asians barely scrapes the surface when it comes to issues on social justice or representation in media—but, perhaps, that was never its intention.
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“I think with a lot of things people kind of lose interest over time.”
Somehow, sometime since this drawing was made, the Little Theatre had lost the life it had garnered from loyal patrons and thespians.
Since [2005], zero sets of American remains were returned to the U.S.—until last July, when the transfer of remains resumed for the first time in 13 years.
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